Tag: Bigby Wolf

  • Comic Comment – The Fate of The King of Wolves

    Comic Comment – The Fate of The King of Wolves

    Fab 122 Cov

    Keeping true to form of long arc followed by a short one, Fables issues 122 & 123 comprise a mini arc entitled The Destiny Game. The last time we visited the Fables title the Cubs In Toyland arc had just completed.  The last few stories involving Bigby and Snow’s cubs have centered on the San Diego 2009 Comic Con One Page Fables predecitions.  We’ve seen Winter become the North Wind, Therese did an evil thing, Darien died to stop her.  Though she could be the pauper too – because now she is one.  Ghost killed people before s/he learned that was wrong, except no one died to stop Ghost that I can remember.   This two story arc is concerned with Ambrose as an adult, we see his fate.  We also learn how Bigby and his cubs came to have their designated fates.  Another excellent story with fantastic art brought to us by the team at Fables.

    The second story of the issue continues to follow Bifkin’s adventures in Oz. It moves to the title story in the next issue. Bifkin’s revolution continues and now he’s found himself the leader of a great nation. Faced with the same issues as George Washington, offered a kingship, needing to lead but wanting to retire to his beloved library Bifkin has some hefty choices to make and ideas to implement.

    First the legal disclaimer: All images are the property of their owners I reproduce them here under the Fair Use Doctrine of the copyright law for commentary and critique. No more than three pages total from any one issue is reproduced.

    Now for the creative team on this arc first story entitled The Destiny Game:  Written and Created by Bill Willingham – Guest art by Gene Ha – guest colors by Art Lyon – letters by Todd Klien – Special Thanks to Zander Cannon – Issue 123 also included Andrew Pepoy in the Special Thanks – Assistant editor Gregory Lockard – Editor Shelly Bond

    The creative team for the A Revolution in Oz: Bill Willingham, Writer/Creator – Shawn McManus, Artist – Todd Klein, Letters – Gregory Lockard, Assistant Editor – Shelly Bond, Editor.

    It seems every time I comment on Fables it becomes a love letter to them for doing what I dream comics can do.  Last commentary on Fables I mentioned how they evoke my childhood love for Classics Illustrated.  This arc pulls on that more with the adult Ambrose being the author/narrator of the tale.  The illustrations are the same fine quality as those beloved comics from long ago.  The structure of the tale reminds me of many of the classics.  I was entranced at the first and not disappointed by the story or the art.

    Fab 123 cov

    Ambrose explains how Bigby got the fate of marrying his beloved Snow and having seven pups with the destines of “to become Gods and Monsters that lay waste to worlds.”  Whose fates were later refined by Ozma’s one page prediction from SDCC 2009.

    Here in the story Bigby prefers his wolf form and rules the forest.  He longs to kill his father.  He runs into the green skinned woman that doles out fates.  Upon chasing her he makes a deal to hear his fate.  It is one of death in three days.  He goes to mourn his fate in his forest.

    There he meets a familar background character – the turtle wearing the teacup world on her back.  She’s a vain queen whose fate was to become this turtle and warn others.  She explains that the green skinned lady doesn’t read fates, she assigns them!  She’s the messenger for the 3 fates.

    Here we see the Fates give their messenger 7 important fates.  The same number of children Bigby later has.  Is it coincidence?  Are the important fates the children that are to become Gods and Monsters?  The story doesn’t answer these questions.  We are left to ponder and draw our own conclusions.

    Just how Bigby gets the fate of Snow and his cubs instead of death in three days is answered.  Also how Ambrose knows this story when even Bigby doesn’t know the fate he’s given in full is also answered.   It worth the read to see how the simple tale sheds new light on the fates that have unfurled in the last few Fables arcs.

    Finally we are left to ponder this part of Bigby’s fate “You’ll outlive all your children but only after you’ve died seven times.”  Any guesses on how THAT is going to come into play?  I see fodder for Willingham to build many more excellent arcs around the Wolf family.

    The Revolution in Oz story is just a few pages in each each issue.  Here we see the the final defeat of the current Emperor. It pays to have an animated hanging rope on your side.  The Toms of the Emperor are fleeing leaving Bifkin’s revolutionaries in power.  So now what?  That’s why the story takes the title role in the next issue as I said.

    *****Page Scans**** Warning****Maybe Considered Spoilery********

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  • Comic Comments – Cubs In Toyland

    Comic Comments – Cubs In Toyland

    Fab 114 Cov

    I’ve been putting off writing about the Fables 114 – 121 Cubs in Toyland while I sorted out how I felt about this powerful arc.  It’s another arc centered on Bigby Wolf and Snow White’s cubs.  This answers more questions related to the San Diego Comic Con 2009 One Page Fable‘s predictions. We saw that Winter became the North Wind to succeed her grandfather as ruler.  We think that she’ is the first child – the one to be king.  Now with this arc the fate of two more of the cubs is established. In the back of each issue my beloved Bifkin continues his revolt in Oz. It provides a light comical relief to the heaviness of the story.

    Fab 115 cover

    First the legal disclaimer: All images are the property of their owners I reproduce them here under the Fair Use Doctrine of the copyright law for commentary and critique. No more than three pages total from any one issue is reproduced.

    Fab 116 Cov

    Now to give credit to the wonderful creative team that brought us this powerful arc. Cubs In Toyland credits are as follows: Bill Willingham, Writer/Creator; Mark Buckingham, Pencils; Steve Leialoha, Inks; Lee Loughridge, Colors; Todd Klein, Letters; Gregory Lockard, Assistant Editor; and Shelly Bond, Editor. The credits for A Revolution In Oz Chapters 2-8 are: Bill Willingham, Writer/Creator; Shawn McManus, Artist; Todd Klein, Letters; Gregory Lockard, Assistant Editor; and Shelly Bond, Editor.

    Fab 117 Cov

    Normally I talk story first but this time I’m going to talk art. As always with major arcs the art is wonderful. It was in this arc I remembered what Fables art reminded me of… Classics Illustrated Comics from my childhood. The comic books that told the classic stories like Black Beauty (my favorite at the time) or Pinocchio (not Disneyified version) ore Rumpelstiltskin and such. I loved those so much. Probably why I enjoy Fables art so much. This is used in the telling of the main arc – Cubs In Toyland. The secondary arc, or comic relief arc, is more cartoony. I enjoyed it and smiled at the story being an Oz fan and all. However, it’s light fodder compared to the main one as it should be.

    Fab 118 Cover

    The A Revolution In Oz arc continues to follow our Bifkin former librarian now Revolutionary Leader in Oz. His Barleycorn girlfriend rescues him from the noose. He rejoins the revolt and becomes its leader again.  He plans a bloodless coup but this is Oz and things never work out as planned.  I enjoyed the characters and the parody of revolutions – the various stages.  It’s a fun but serious arc that moves Oz forward down the path of Revolution that Bifkin has set.  Only will there be regrets?

    Now for the main arc – I’ve put it off long enough.  I had to do some soul searching about why I liked but cringed at this arc.  I know why – it places children in positions a loving adult never wants to see a child placed.  Children having to make adult decisions about things without having the benefit of adult experiences.  It wrenches my gut much like Torchwood: Children of Earth did.  This hits the same emotional notes that were struck in X-Men that drove Wolverine to found his own school.  We in the modern “first” world countries think children should have time to be children and not face adult burdens.  We want to protect them but in this arc as much as Snow and Bigby want to and are capable of protecting their children they can’t.

    Fab 119 Cover

    That brings me to another aspect of the story that made it very hard for me.  Good parents who have lost their child/ren to circumstances beyond their control.  As I’ve said before I like crime shows.  Often it is a gut punch – the thought they did everything they good but evil still befell them.  That’s Snow and Bigby as parents in this arc, they are good parents but evil befell Darien and Therese.   As Snow and Bigby looked first for one child then for two my heart broke for them.  I’m a mom I get it.  I am so relieved that Aaron made to being an adult without tragedy.  It’s a risk every parent takes but does their best to minimize.

    Fab 120 Cov

    The story centers on Therese.  She receives a boat for Christmas.  Here it plays upon her vanity, her wanting to be better than others.  She’s taken away to Toyland and made Queen.  Only there are a few things young Therese doesn’t get – there is a weight/price to ruling a heavy mantle to being Queen and these toys hold a dark secret, one she only discovers too late after she too is drawn into their dark fraternity.  

    At home Darien the cub who feels the responsibility of leadership of the pack sets out to find his sister.  Lord Mountbatten helps him and they both wind up in Toyland. We learn the true dual nature of the clockwork tiger in the process.  Darien becomes a true hero in Toyland taking care of his sister in the bleak land. He uses his brother Ambrose’s interests in ancient magic to pull off this feat. Despite never seeming to pay attention to Ambrose’s ramblings Darien has absorbed the deep meanings so much he can use them. His story draws heavily from the Fisher King legends.  It’s well written and tragically beautiful while wrenching your gut every step of the way.

    Fab 121 Cover

    Therese now fully gains the weight of the Queen’s mantle.   She’s learned there is a price to decisions, sometimes prices we didn’t see.  With her new insight she takes command of her position and sets out to save her land, her subjects, and herself as best she can.  However the hardest lesson of all is that the past can’t be undone we can only learn, change, and atone for our errors even grave ones made in youth.  Once she is strong enough she returns home only to tell her mother of Darien, herself, and assume responsibility for all that has transpired.  Finally Therese is mature she’s taken responsibility for herself and her actions.  Unlike her siblings She is now an adult both physically and emotionally as time moved differently there from here.

    There are many levels to the story.  It’s well written.  Like all good tragedies when you are finished it is satisfying but sad.  Hat’s off to Fable for using all mediums of the comic book to bring a powerful story to the page.

    ***** WARNING SCANNED PAGES BELOW MAY BE CONSIDERED SPOILERY BY SOME***   You have been warned.

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