Mary Louise Eklund

Tag: comic books

Comic Comments – Got Hope?

After some internal debate I decided to take this AVX tie-in stories one at a time. They hop all around the major story time line so really they are single stand alone vignettes related to the characters featured in Wolverine And The X-Men title. This one centers on the staff in their new positions on their chosen sides in the war. It’s issue 11 for the title and has very little to do with the operation of the school. I’m not buying the titles in AVX so I have fill in here and there with what I learn of the other story lines that are effecting what’s going on here. I’ll try to keep up but if you can fill me in or correct me that’d be great.

As always there’s credits to be given: Jason Aaron, Writer; Nick Bradshaw, Penciler; Walden Wong, Nick Bradshaw, & Norman Lee, Inkers; Justin Ponsor, Colorist; Chris Eliopoulos, Letterer; Jordan D. White, Assistant Editor; Daniel Ketchum, Associate Editor; Nick Lowe, Editor; Axel Alonso, Editor In Chief; Joe Quesada, Chief Creative Officer; Dan Buckley, Publisher; and Alan Fine, Executive Producer.

All images are the property of their owners I reproduce them here under the Fair Use Doctrine of the copyright law for commentary and critique. No more than three pages total from any one issue is reproduced.

First off the cover – I have no clue why Hulk is red and don’t really care. I’m not into Hulk comics too much SMASH not enough story. Next it’s Bobby all iced up again doing that multiple man trick he developed back in issue 1. Has nothing to do with why I come to Wolverine and the X-Men title which is Logan and his school. This cover has everything to do with the event I have no interest in at all.

Interior is just a choppy mess. We jump from fight to fight with the only slim thread tying it to this title is each fight either has a staff member or student in it. The fights are all fan-boy match-ups shown in just a few panels before we jump over here then over there. I can name the characters because I recognize them and am familiar with the Marvel Universe.

There was one big thing I got from this issue. Logan realizes he can’t kill Hope even if it’s to save the world. It’s not what he’s been fighting for, it’s not who he chose to be from now on. He’s not the guy who kills kids, he’s the one who saves them. He’s determined to save Hope.

A few asides I picked up are: Capt can kick Gambit’s ass. Kid Omega sided with Scott. Quentin complains about not being able to fight doesn’t care which side just hates doing homework. Hope has some Phoenix in her right now and wants to get to the moon for some reason.

That’s it. That’s all I got. Glad Logan reaffirmed his reasons for founding the school. Don’t care about the rest. Just wish this big fight would be over so we can reboot – sorry that’s a DC term now isn’t it – so we can be Marvel NOW!’d and get back to Logan being headmaster at a school for mutant kids.

Next up is issue 12 entitled Hounded with more AVX crap. Yeah you can feel my excitement over this radiating out through the screen can’t you? **YAWN**

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August 16, 2012
Comic Comments – Day of the Phoenix, Dark Night of the Soul/Avengers vs X-Men…vs X-Men

It’s happened, I didn’t like it. It disrupts the whole great thing that was starting at Jean Grey School For Higher Learning, Avengers versus X-Men. I’ve grouped Wolverine and the X-Men issues 9 and 10 cover Scott coming to the school to see who will side with him and who will side with the Avengers.

Credits for the issues are as follows Jason Aaron, Writer; Chris Bachalo, Penciler/Colorist; Tim Townsend, Jaime Mendoza, Al Vey, Inkers Issues 9 & 10 Victor Olazaba joined the Inker team for issue 10; Chris Bachalo, Cover Issue 9; Tim Townsend, Cover Issue 10; Chris Eliopoulos, Letterer; Jordan D. White, Assistant Editor; Daniel Ketchum, Associate Editor; Nick Lowe, Editor; Axel Alonso, Editor In Chief; Joe Quesada, Chief Creative Officer; Dan Buckley, Publisher; and Alan Fine, Executive Producer.

All images are the property of their owners I reproduce them here under the Fair Use Doctrine of the copyright law for commentary and critique. No more than three pages total from any one issue is reproduced.

Before I get into a long thing about the story and the AVX let me address the art. There on cover 9 is my main complaint about Bachalo’s art. Logan is a retangle with a pin head. His torso is too wide, his arms too large, the whole thing is too square and the head is too small. I don’t like the style. I’ve come to take some of his moments when it’s downtime as just art I don’t like as much as others. However when the bodies get boxy, the fights get overly done, the characters are unrecognizable I have to ditch the art and rely of Jason Aaron’s writing to carry me through. Luckily it does. So I know now I really don’t like Bachalo’s fights because I can’t tell what’s going on, I don’t like his Iceman because it’s so cluttered and over done I can’t tell what’s going on. I don’t like it when goes for more style than story telling, I can’t tell who is who or what’s going on. It’s me. I’m not the target market. I’m over 45 not young but dear Marvel I have a very deep pocket and if you want me buying up say 20+ titles a month again, well I have to tell what’s going on and who is who in well written not told before stories.

Let me explain to those who read this but aren’t really comic geeks. Yes, yes there are some and I’ve heard from them, positive stuff. I figure if I entertain non comic book geeks rambling on about comic books then I’m doing something right. Maybe just maybe they might pick one up and find out they like them too. BACK on topic here just what is Avenger Versus X-Men? Well it’s and “event” that crosses into many Marvel Universe titles and makes changes to the whole universe or at least a majority of the characters. First time it happened it was awesome, it was a way to make deeply needed changes in many titles all at once while telling an epic story that showed how everything was related in the Marvel Universe. The one that did this as it should have been done was House of M. It sold well, as in fabulously well. So Marvel made a big changing arc an annual event even though the story lines didn’t need such drastic revision so frequently. Marvel wanted the sales. The next big event I liked was Civil War it started out great but ended with a whimper in my opinion and drove me from buying Marvel for about 4 years. (I came back because Logan was becoming headmaster and I wanted to catch up on how he changed so much). You don’t really need to worry about Civil War because unlike House of M it’s changes didn’t last and we’re still not feeling their effects today. Ironman and Capt America are on the same team again for years and mutant registration went away and the broken stuff they stopped for isn’t broken any more. There were other arcs that sounded stupid and when I’d see posters for them I’d roll my eyes and dispargeningly say “Fanboys, the damn company is run by adolescent fanboys.” It seemed the HULK SMASH of World War Hulk and the bizarre in fighting was the ultimate fan boy argument of “What if Hulk fought Ben Grimm who’d win?” or what if this character fought that one… No reason, no ramifications, no real changes just smashing and fighting and hype.

So the big events started to refresh then got stale themselves. Now the current big event is Avengers versus X-Men the title even belies my reason for dropping out of Marvel for four years. The story stems back to two things 1) there are few mutants after the House of M and 2) the Phoenix force (a fiery space bird that’s been WAY over used for DECADES at Marvel). It’s coming back to earth, Jean Grey the only character that finally and thankfully has stayed dead (PLEASE LET HER STAY THAT WAY) isn’t here to host it so it’s thought it’ll destroy the planet or get Hope Summers the child of Jean. X-Men under the leadership of Scott Summers who is acting more and more like Villain Magneto did in the old days – sees this as a good thing to make more mutants. Avengers don’t want the planet to die and think it’s a bad thing. Now you’re up to speed. An over used reset tool with an over used plot devise has now become an event that will disrupt titles that didn’t need resetting or disrupting.

So now to Issues 9, we rap up the problems from issue 8 Hank is well Logan has his legs back. Then the school becomes aware the Phoenix is coming to earth. The ball starts rolling – Logan is an Avenger and has been an X-Man for years but he’s now on the outs with Scott (see the dartboard here figured out the B isn’t Bobby it’s Beast) thus not part of the team any more. Capt America shows up to talk to his Avenger teammate with the most Phoenix experience, Logan. Everyone involved knows this is going to be drawing up sides, Logan makes it clear he’s on the Avenger’s side because he thinks that the only way for the planet and thus his school will survive. He doesn’t want the kids involved. As it is none have tossed in with the X-Men yet but Hank makes it clear he’s joining Logan with the Avengers. The other staff opts to stay at the school and keep the kids on routine and protected from all of this.

Issue 10 takes place after the Avengers try to take Hope Summers (the believed Phoenix Target) from the X-Men. There has been the first battle, and now Scott Summers himself shows up at Jean Grey’s School of Higher Learning to find who stands with him from the staff there. He first approaches Logan which makes sense being the leader of the group and all. It leads to some really excellent dialogue between the two frienemies. Logan carried a torch for Scott’s wife for years still does in that he named his school after her maiden name and the statue is the Marvel Girl costume.

Speaking of the statue there is a well written moment between Logan and Idie at Jean’s statue. He takes on the headmaster/father role very well and very comfortably. I was impressed how he put aside all the adult crap about AVX to chat with her about how she was doing. That’s what a mature man does when he’s responsible for kids. He protects from the adult problems and helps them with their problems. Admittedly most kids don’t list flame thrower toilets as among their problems but when you integrate the Danger Room training through out the building that’s what you get. OH BTW Capt America only got a B- when battled the new integrated Danger Room… issue 9.

In the end we know the staff divides Bobby, Rachel, Gambit and Chamber go back to Utopia and follow Scott. Cannonball, Husk, Kitty, Rogue, and a few others I can’t recognize from Bachalo’s art stay on the school as staff. They will protect the school no matter what and keep the kids out of the fight. Hank and Logan are off on different missions to support the Avengers.

The sides have been taken let’s get this over with so we can HOPEFULLY go back to a good comic centered on a school for mutant kids with James “Logan” Howlett as the headmaster. In the end I think he should have told both sides to go F**K YOURSELF, holed up in his school and become the Switzerland of AVX to keep the kids safe but then again he is the best at what he does, and what he does isn’t pretty. Besides it’s a fight against Summers no way Logan’s not gonna throw a punch at Scott when given the chance.

Next up more AVX tie-in story lines. We see the fractured staff on their new lines. Each has to decide what they are willing to do to former teammates in this battle. I’ll do two issues again Got Hope and Hounded, issues 11 and 12.

Spoilery comments on specific pages and panels after the jump.

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August 15, 2012
Comic Comments – A Little Impossible

This is a great issue! I truly enjoyed the two stories in this stand alone issue 8 of Wolverine and the X-Men. The cover gives away the surprise ending of the last issue. Fleeing the casino planet with Quentin Quire Logan gets zapped by some odd beam. Once in the spaceship he finds his legs are twisted out of shape! HOW his bones are admantium the indestructible metal! Well this issue explains it all. In the meantime Logan is stuck being headmaster from a wheelchair. Sound familiar?

Credits, can’t go on without the credits. First the Dedication – The issue was dedicated to the memory of Mike Pandel. The rest of the credits are as follows: Jason Aaron, Writer; Chris Bachalo, Penciler/Colorist; Tim Townsend, Inker; Rob Steen, Letterer; Irene Y. Lee, Production; Jordan D. White, Assistant Editor; Daniel Ketchum, Associate Editor; Nick Lowe, Editor; Axel Alonso, Editor in Chief; Joe Quesada, Chief Creative Officer; Dan Buckley, Publisher; and Alan Fine, Executive Producer.

All images are the property of their owners I reproduce them here under the Fair Use Doctrine of the copyright law for commentary and critique. No more than three pages total from any one issue is reproduced.

First the art, I had trepidations with the return of Bachalo as primary artist. I did not like his launching of the series. I still don’t like his fight scenes. However his other scenes have been decluttered and are better. Logan’s tie doesn’t curl over his shoulder like a greyhound tail that has to poop. There is improvement and I get that this style is for a younger audience than me. It’s still overly stylized for my tastes, has photo backgrounds I don’t like, and occasionally the glowy outlines that annoy me show up. BUT over the first few issues this is a vast improvement. I read it and enjoyed it. I didn’t cringe once.

The cover is one of those that’s visually effective but never happens in the book. Logan talks about being rolled into a fight but it doesn’t happen. He doesn’t don his X-Force costume. He is wheelchair bound. That’s about it. I feel it’s a bit dark in printing and more contrast would make it pop.

As for the stories there’s two going on. One is about Logan’s legs and needing to get the matter transducer thingy to fix them. The Bamfs have broken Hank’s transducer. Hank sets out to borrow one from his SWORD girlfriend at her space station. The kids get wind that is what the Headmaster needs to fix his legs so with Quentin’s help they are off to get that one from the casino.

Hanks doesn’t meet his paramour Abigail but instead gets into a space battle with Sabertooth. OMG Sabes is back here and running with the prepubescent HellFire Club. Sabes said the way to get the Jean Grey School For Higher Learning was to go for the heart of the school. I’m still not clear as to why these brats want to destroy the school but oh, well. They determine the heart is Hank and off Sabertooth goes to get ‘im.

**Please note my full on rant about how I hate that Sabertooth is back from the dead is partially here and partially saved for the Wolverine Vol 4 Sabertooth Reborn arc.**

This is a good story we learn that the kids are behind their school and their headmaster. Logan learns a good lesson from them under the leadership of Angel (Warren). The battle of Beast and Sabertooth is a nice twist on the usual battle between Logan and Sabes. The dialogue throughout is snappy and true to the characters. I enjoyed it immensely but was very sad to see the Avenger vs X-Men big event crap comes in to disrupt what had developed into a fun and enjoyable title. This title was bringing back all I loved about the X-Men back in the day, the school aspects with the adventure and fun. My full on rant about that will be in my next Comic Comments. Let’s just say we are stuck with it until at least issue 17.

You know what is coming next – Spoilery comments on pages and panels.

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August 14, 2012
Comic Comments – Mutatis Mutandis

No your eyes aren’t deceiving you, that’s a very pregnant Kitty on the cover there. How and why she got that way is a very important part of this arc. The other key factor is the school needs money. Two story lines run in the arc what’s happening at the school and what’s happening with Logan trying to fund the school. Neither are going smoothly. It all plays out in Wolverine and The X-Men issues 5 – 7.

If you’ve been reading these you know what’s next, yep giving credit to the talent that brought us these books. So here goes: Jason Aaron, Writer; Nick Bradshaw, Pencils; Nick Bradshaw & Walden Wong, Inks Issue 5; Walden Wong, Jay Leisten, Norman Lee, & Cam Smith, Inks Issue 6; Walden Wong, Norman Lee, & Nick Bradshaw, Inks Issue 7; Justin Ponsor, Colorist Issues 5 & 7; Justin Ponsor & Matthew Wilson, Colorists Issue 6; Nick Bradshaw & Frank Martin, Cover Issue 5; Nick Bradshaw & Morry Hollowell, Cover Issues 6 & 7; Rob Steen, Letterer; Irene Y. Lee, Production; Jordan D. White, Assistant Editor; Daniel Ketchum, Associate Editor; Nick Lowe, Editor; Axel Alonso, Editor In Chief; Joe Quesada, Chief Creative Officer; Dan Buckley, Publisher; and Alan Fine, Executive Producer.

All images are the property of their owners I reproduce them here under the Fair Use Doctrine of the copyright law for commentary and critique. No more than three pages total from any one issue is reproduced.

First off the money problems at the school are something I love. Why? Because it’s a real world problem that adults have. Logan is now trying hard to be the adult, take responsibility for the children, and do the right thing. One of these is dealing with the money issue with letting the kids know it’s a worry. The hitch is Logan’s not quite got that last one down. He’s grabbed Quentin the Omega psychic mutant trouble making student to come with him to help count cards and see others hands at a space casino. (More damn aliens in my X-Men! I stuck fingers in my ears went LA-LA-LA and voila it was a rich mutant casino) Whoa there Logan this doesn’t sound like a good idea from the start! It’s not but it plays out with comedy and results that even Logan didn’t expect. In the end he’s getting more like Xavier every day!

The story is Kitty and her sudden pregnancy. Now she’s shocked, it’s been some time since she and Colossus split up. In the Schism she went with Logan agreeing with his philosophy. Colossus stayed with Scott agreeing with him. The couple regretted not coming to terms but with such differences they couldn’t continue. Hank is all understanding when she come into medical and excited about being Uncle Hank, except he finds out she’s not preggers she’s infected! She’s infected with brood (more damn aliens). As members of the staff shrink down to deal with that the school is under attack AGAIN! Except we learn that Kitty’s pregnancy was just a diversion from the real goal of the attackers.

I enjoyed this issue. It has Logan being his own headmaster. No Xavier wouldn’t have funded the school in this manner but it’s pure Logan and I loved it. The school coping with multiple crises at once reminded me of the old day and why I read X-Men all those years ago. To see a school of cool mutant kids led by cool mutant heroes try hard to just be a school. It wasn’t about setting a mutant agenda to rule the humans but rather just to be part of society and deal with threats to the peace of that blended society. Great story fun arc!

The interior art is fun and I enjoyed it. There were little things that irked me. Logan’s hat when at the Worthington Industries didn’t fit right – that bugged me. It’s clean, it’s clear, it’s straight forward. It’s not stylized and overly cluttered. I enjoy reading it and found it did support the story rather than detract from it. At times I feel it’s a bit cartoonish for what is rated as a more mature comic but only a tad. I found it highly enjoyable.

The covers are fun. Issue 6 is my favorite of course except for the aliens. NO ALIENS PLEASE! I thought the cover for issue 7 looked too busy and too tabloid or Vogue-ish. I mean the “X-Man MUST DIE!” and “LOST INSIDE KITTY PRYDE” headlines with the duo art brought that to my mind. Oh and even in an Pym-particle suit Bobby is iced up… WHY?!?

Next is a stand alone issue entitled A Little Impossible. This is the last issue before the Avengers Versus X-Men craptastic over arching Marvel Universe wide story comes marching in to disrupt everything. I’ll rant more on that later but I think you get the gist of where I’ll be heading.

There be spoilery bits after the jump! It’s all comments and laughs on a few specific panels and pages.

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August 13, 2012
Comic Comments – Just Another Day In Westchester County

In Wolverine and the X-Men, issue 4 we get a look at the staff and students at Logan’s (yes I’m shifting to calling him Logan since that’s what the characters call him) school, The Jean Grey School for Higher Learning.

As always I love to give credit where credit is due. The credits for this issue are: Jason Aaron, Writer; Nick Bradshaw, Artist; Justin Ponsor, Colorist; Nick Bradshaw & Frank Martin, Cover Artists; Rob Steen, Letterer; Irene Y. Lee, Production’ Jordan D. White, Assistant Editor; Daniel Ketchum, Associate Editor; Nick Lowe, Editor; Axel Alonso, Editor In Chief; Joe Quesada, Chief Creative Officer; Dan Buckley, Publisher; and Alan Fine, Executive Producer.

All images are the property of their owners I reproduce them here under the Fair Use Doctrine of the copyright law for commentary and critique. No more than three pages total from any one issue is reproduced.

I have to say I ADORE this cover. The sign on his back is PERFECT! I like he’s cutting the board in frustration. The Bamfs are running loose. It’s mentioned in the staff meeting in the issue that the Bamfs found Logan’s stash of martial arts instruction videos and warn him to keep his other *wink wink nudge nudge** video collection more secure.

Warren Worthington comes in as a student which is one of the main themes of this issue. The former X-Man comes in as a student not a professor because he’s had his mind wiped. Also an Apocalypse clone checks in as a student. We see a future flash of how these students work together as a team when they are adults.

Logan considers how to balance being a Headmaster who teaches English Lit among other things with his night job as Wolverine on the X-Force team. He comes clean with his staff about what he’s doing on X-Force. None are happy about it but some take the news better than others.

This is the kind of story I enjoy from time to time. We see how life is day-to-day at a school run by superheroes. It’s fun to see them as people not as just fighters. I like that they fret over finances, tater tot complaints, and getting new students to fit into the dynamic of the classroom. It well done and gives us a feel for how Logan’s school differs from Xavier’s school.

As for the art, OH THANK GOODNESS it’s better, much much much better than that first arc. I don’t cringe reading it. I can tell what’s going on and who is who. I like it much better. Still it’s not my favorite and looks a bit too, cartoonish? clean? Something… but if given a choice of this or that. I’d take this every time! Here the bodies are correctly proportional and it’s not hard to tell who is who.

This issue ends with a real surprise for Kitty. It’s the basis of the next arc, Mutatis Mutandis. That arc takes us through Wolverine and the X-Men issues 5-7.

After the jump will come comments on specific panels, might be considered spoilery by some. You have been warned.

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August 10, 2012
Comic Comments – Welcome to the X-Men! Now Die!

This story kicks off the Wolverine And The X-Men series. It’s a three issue arc. James “Logan” Howlett, Headmaster as it now says on his new business cards, is facing the first day at his new school. The story opens up with him giving Professor Xavier a tour. Then the next day the New York State board of education inspectors make a visit to 1407 Graymalkin Lane, Salem Center, New York (that’s in Westchester county ya know) to inspect the school and finalize its accreditation. To say thinks didn’t go smoothly would be an understatement.

If no issue is noted after their credit they deserve credit for all three issues: Jason Aaron, Writer; Chris Bachalo, Pencils & Colors Issues 1 & 2; Chris Bachalo, Duncan Rouleau & Matteo Saleara, Pencils Issue 3; Tim Townsend, Jaime Mendoza & Al Vey, Inks Issue 1; Tim Townsend & Jaime Mendoza, Inks Issue 2; Tim Townsend, Jaime Mendoza, Al Vey, Mark Irwin, Victor Olazaba, Duncan Rouleau, & Matteo Scalera, Inkers Issue 3; Chris Bachalo & Jason Keith, Colors Issue 2; Rob Steen, Letters’ Chris Bachalo, Cover Issue 1 shown here; Chris Bachalo & Tim Townsend, Cover Issue 2 & 3; Irene Y Lee, Production, Jordan D. White, Assistant Editor; Daniel Ketchum, Associate Editor Issue 2 & 3; Nick Lowe, Editor; Axel Alonso, Editor In Cheif; Joe Quesada, Chief Creative Officer, Dan Cuckley Publisher, Alan Fine, Executive Producer.

All images are the property of their owners I reproduce them here under the Fair Use Doctrine of the copyright law for commentary and critique. No more than three pages total from any one issue is reproduced.

If I was to sum up this arc for me it would be stellar writing and detestable art. I know there are people out there who like this art. I am NOT one of them. I find it overly stylized and way too busy. There is no realistic anatomy in any of the figures. If not told by the dialogue I’d not recognize some of the main X-Men characters by their appearance. The proportions of the figures morph constantly in relation to each other and heck on body part to another. There are times I can’t tell what the heck is going on visually! I had to rely on the writing to tell me. Thank goodness that was good.

I cringed at the art when reading but kept reading because the writing was wonderful. The dialogue was snappy, the characters were true to themselves but were obviously out of their comfort zones. That makes a good story, stories move forward by character change/growth. It could be for the better or for the worse but we watch/read to see how characters change. This was doing it so well as far as the writing goes.

There were some fun extras tied to this launch of a continuing series. First off was the flyer for the school. Look James teaches three classes! Witness to history, the art of fighting without fighting and the art of fighting with fighting. He’s also scheduled a field trip to his favorite sushi restaurant. The guy is trying.

He’s not the only one that steps up to the plate and matures here. Bobby Drake, Iceman, finally gets a chance to mature. He was one of the original X-Men but has perpetually been treated as a teenager/junior member. Here he’s a full fledged professor and told by James to use his full potential. He remembers this and taps into aspects of his abilities he’s not used before to help save the day.

Oh and we learn who is James “Logan” Howlett’s lawyer. It’s Matt Murdock, Daredevil! That was good.

There are things I don’t like in the story. I don’t like the aliens there. I sing la-la-la-la in my head and they are just other mutants. I don’t like a children’s Hellfire Club. Do your research on the REAL Hellfire Club is – it’s a sex club, a club for rakes like Ben Franklin. Today it’s an S&M club. That’s why all the corsets, whips, and such in the original Marvel villains Hellfire Club. It was inspired by real life. To have rich brats doing it was just so not right.

Also why didn’t they tell the staff, Hank especially, that TODAY IS INSPECTION DAY? Hmm? Look Hank is the known political animal on the team (pun intended). He’s always been good at working through the system. So why in the world is he taken by surprise if James knows enough to but on the weird tie. (more about that after the jump)

Still with all its faults I loved the series. Why? Because it’s something we’ve not seen before. It’s new, it’s fresh, it’s different, it’s hideous art! As a Wolverine fan I’m so starved for good well written new stuff that goes to different places than where we’ve been that I lapped this up.

Next is a stand alone story entitled Just Another Day in Westchester County which is Issue 4 of Wolverine and the X-Men. Stay tuned for the spoilery bits.

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August 9, 2012
Comic Comments – Underneath

This is a story follows up a limited series from 1989 starring Wolverine and Havoc entitled Meltdown.

The story is set back before Schism (the breakup of the X-Men with Wolverine leading one back to the school and Scott leading the others on Utopia) and just after M-Day (when many mutants lost their mutations) so I’m totally confused as why it appears now in Wolverine volume 4, issue 309. Yet here it is folks!

I always like to give credit where credit is due. Here’s the credits for this issue: Ivan Brandon, Writer; Rafael Albuquerque, Art pg 1-13, 18-20; John Rauch, Color pgs 1-13; Jason Latour, Art pgs 14-17, 20-36 and Color pgs 14-16; Jeanine Schaefer, Editor.

All images are the property of their owners I reproduce them here under the Fair Use Doctrine of the copyright law for commentary and critique. No more than three pages total from any one issue is reproduced.

Let’s start with the art since art was big part of the Meltdown series. It was avant guard, more impressionistic. That’s how I’d describe it not being an art student but more of an art fan. I didn’t like it because I found it distracted from the story instead of adding to it. The style is reflected here on the pages done by Jason Latour but toned down a whole bunch. I’d refer you to where you could get the TPB but everywhere I looked they were sold out so just sent you to the cover art, the interior was much more abstract.

As for the art of this one, I don’t really care for it. The start is the heavy outline boxy style that reminds me of kids coloring books not a gritty story like this. The other is more focused on being stylistic than telling a story. Comic book or graphic novel art should focus on telling the story, expanding it beyond words through images. Neither hit this mark for me.

As for the story it centers around Elixir as a boy. Elixir was/is a mutant with the powers to heal people, manipulate your body into healing itself. He later learned it could be used in another manner, to make your body destroy itself. That was his downfall. For a time he was on the X-Force team that Wolverine commanded. That was before the downfall and when he was a man. So why this story of him as a boy trying to figure out Wolverine is beyond me. Why it’s here in this volume only the Secret Star Chamber of Marvel knows.

Elixir tags along on a personal mission of James’s. You see James seduced a redhead (he’s got a thing for redheads) who was caught in between her mutant state and human state when M-Day happened. She told him of a place where a mutant man was feeding off other mutants like her. James, being James when to stop it. Elixir wanting to understand James more tagged along.

We see how much James has matured. Now he’d take the adult role and keep Elixir from going into what is going to be a battle to the death of the energy vampire mutant. Then he simply said, “Kid you want to get yourself killed, you get right to it. I ain’t yer Daddy. Just so long as you stay out of my wake.” Not at all the stand he’s chosen to take as Headmaster James “Logan” Howlett.

In the end the energy vampire is the villain of the Meltdown story returned. There is a battle and Elixir gets involved. In the end it’s James himself that gives Elixir the answer to understanding the appeal of Wolverine – He gets back up and tries again to do the right thing despite shortcomings and failures.

The story was a good one. It depends on the reader knowing a lot of background stuff from long ago. It’s very out of place in the flow of what’s going on now in this book and in the Marvel Universe. I felt that somewhere there was a lack of planning on Marvel’s part so they tossed in an old story that was sitting on the shelf unpublished to fill the gap between arcs.

We are going to leave the Wolverine title for now. I’ve reached the current story of Sabertooth Reborn. I know you can feel my <strike>trepidation</strike> excitement over that. My next Comic Comments will move on to the Wolverine and the X-Men volume 1 issues 1-3 the Welcome to the X-Men Now Die arc.

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August 7, 2012
Comic Comments – Rot

This is the last completed arc in Wolverine. Just one stand alone until we leave it for the next title on my pull list. We’ll return to the title after I work through the other completed arcs in other titles I read regularly. Next up will be Wolverine and the X-Men arcs that are complete. Before you start wondering given what the rotation has been so far, no I don’t just read Wolverine titles. My system of going alphabetically puts many of the Wolverine themed titles together and X-Men just behind those. Yes, I do read a lot of books he’s in because he’s my favorite character. If you are getting tired of him just hang in there. Once I get through the Ws and Xs it’ll be some time until I get back to him.

Now to the number jump and just what volume do the 300+ issues go? I’ve left them in volume 4 and it seems so has Marvel. (you can always click on images to enlarge them to read stuff) That’s a screen cap of my free digital copies that came with the more recent issues. They file them under volume 4 like me. The orderly librarian in me doesn’t like the jump. It doesn’t make sense if you are going to count all issues ever listed then jump back to issue 1 of volume 1.

That gets my notes out of the way, on to the Rot arc of Wolverine Volume 4 Issues 305-308. Here’s the credits: Cullen Bunn, Writer; Paul Pelletier, Penciler; David Meikis, Inker Cam Smith joins David as Inker for issues 306-308; Rain Bredo, Colorist; VC’s Cory Petit, Letter; Jim Cheung and Jason Keith, Cover Art of issue 305; Chris Samnee & Javier Rodriguez, Cover Ar of issue 306-308; Jared K. Fletcher, Designer; Jake Thomas, Assistant Editor; Jeanine Schaefer, Editor; Nick Lowe, Group Editor; Axel Alonso, Editor In Chief; Joe Quesada, Chief Creative Officer; Dan Buckley, Publisher; and Alan Fine, Executive Producer.

All images are the property of their owners I reproduce them here under the Fair Use Doctrine of the copyright law for commentary and critique. No more than three pages total from any one issue is reproduced.

This brings back a villain I liked Dr. Rot who psychologically tortured James back in the Wolverine Weapon X Insane In The Brain arc. It’s a great story with very pretty interior art. I hardly recommend you check it out. In this arc James again encounters Dr. Rot who is amazed by James’s brain and healing factor. After James starts having trouble telling reality from hallucinations just like in his time with Dr. Rot he sets out find the doctor.

I have to say there are aspects of this arc I don’t like. They just get to fantastical (like the brain machines/bombs in the first arc). I can take a mad genius who manipulates people by re-wiring/surgery on brains. I can take a mad genius who tortures/manipulates people into hitmen or assassins that self-destruct and he sells them to the highest bidder.

There are parts of this arc I loved. I find James overcoming psychological torture, his ultimate weakness a good story line. Dr. Rot is the person who knows how use James’s Achilles heel. Rot’d ability to control James is a thread to which I’m clinging. There is a way to make that an epic battle between the two of them that gives James a way to over come that mind control business for good. I’m hoping that is what happened here in this arc. There are panels that allude to it, but the kicker at the end leaves some doubt. Just like the Get Mystique Final Repose‘s ending came back later to bite us readers in the ass with yet another round of Mystique after James.

I don’t buy that Dr. Rot’s taking out pieces of James’s brain makes it heal clean, no memories. How about in the last arc when Mystique kept shooting James in the face? Didn’t pieces of his brain splatter out his nose from being liquefied by the repeated impact on his metal skull? Why wouldn’t that cause blanks spots? I’ll make leaps with you, if you are consistent in the rules of those leaps.

In the end this arc that could have been grand but felt as if it was just pathetic devise to get James back to having amnesia of sorts like he was before M-Day. So now he’s not got a stable relationship, Sabertooth is back, Mystique is back, and he’s got amnesia. We are quickly falling into the same old tired stuff. I returned to comics, to Wolverine upon hearing about change and growth. Those reasons are quickly evaporating. It’s going to get easier to alienate me from the title for a while if we keep rehashing stuff I’ve read for 30 years.

As for the art, I like the interior art. It’s good solid comic book art. Many times it pulled me deeper into the story. That’s what the art is supposed to do add visual elements to the story. I do think they went over the top on the gore factor. Yes, Dr. Rot collects brains and isn’t observing sanitary conditions. I get that. But trust me (I’ve seen lots of real stuff having a college friend that majored in forensics) blood doesn’t work that way be it from live or dead bodies, but especially from dead ones. I know there is an audience for gore. That’s why we have gore horror and such. I’m just not one of that audience. I’ll take realistic gore to a point. I don’t see it as an aspect of entertainment but more to add an emotional and realistic punch.

As for the covers, issue 306 is my favorite. I like the abstractness of it but what it represents within the story. Issue 305 looks like a stock image of Wolverine. I imagine they said “Oh crap we forgot to get a cover made we’ll use this.” The others go well with the arc and visually summarizes the story.

Next is an odd book out of sequence in the stories currently building. This one is set back before Schism. I’m not sure why it got stuck in here. Underneath is a stand alone where we revisit the time James lived in Utopia and was still working with Scott Summers, kinda.

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August 6, 2012
Comic Comments – One More Round

This is a stand alone that does nicely to wrap up some aspects of the last few story lines and open up some others I have a feeling are in the works. It’s issue 304, of Volume 4 or the revisit of Volume 2 or where ever we are in that.

First off with the credits. From the cover scan you see this time it took a larger than usual village, many artists contributing to the issue. Here’s the village: Jason Aaron, Writer; Steve Dillon, Ron Garney, Paul Pelletier with Dave Meikis, Mike Perkins, Jefte Palo, Daniel Acuña, Steven Sanders and Renato Guedes, Art; Matthew Wilson, Matt Milla, Rain Beredo, Andy Troy & Chris Sotomayor, Color Art; VC’S Cory Petit, Letterer; Dale Keown & Jason Keith, Cover; Jake Thomas, Assistant Editor; Jeanine Schaefer, Editor; Nick Lowe, Group Editor; Axel Alonso, Editor in Chief; Joe Quesada, Chief Creative Officer; Dan Buckley, Publisher; and Alan Fine, Executive Producer.

All images are the property of their owners I reproduce them here under the Fair Use Doctrine of the copyright law for commentary and critique. No more than three pages total from any one issue is reproduced.

The cover of this looks so familiar. I think this art has been on a cover before. It’s just one of the covers that strikes me as a cool Wolverine picture so put it on a transition issue. At least he’s bearing his teeth without doing an underbite.

The interior art goes from great to why does Sabes look like Hulk Hogan?

The story is one of Sabertooth throwing a party for all of Wolverine’s enemies. Since he now rules both crime families of the East (Hand and Yakuza) they actually show up. It’s fun to name the villain even those just in the background. It’s his birthday party and since he’s alive James turns the tables and crashes the party. He kicks Victor’s ass along with the guests to announce this is going to be his new annual tradition. Inter cut through this we get caught up the status of a few things. We see what is going on with Maverick, Melita, Hell, and much more.

It was a light issue that I’m sure will be a launching point for some stories. It made me smile that James turned a tradition on its head. For years we had Victor coming to beat up James on what they thought was his birthday. Now it is reversed. I enjoyed the issue. It was fun and got me thinking where would I take these stories next.

Next up is a four book arc, called Rot. That’ll be issues 305 through 308. It brings back a character I like very much that was previewed in this issue. Dr Rot was the villain from Insane In The Brain arc from Wolverine Weapon X volume 2.

After the jump the usual spoiler panel bits.

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August 5, 2012
Comic Comments: And Then There Was a War/Back In Japan

This story runs in Wolverine volume 4 Issues 20, 300-303. Okay I’m not sure it’s still volume 4 or did we revert back to volume 2 which would match what issue numbers we would have had volume 3 and 4 not occurred and the issue be numbered straight through. I’m leaving them in volume 4 just to keep chronological order straight for myself. WTF! Marvel this former volunteer librarian is upset in disruption of issue numbering.

The credits for this run are complicated. Issues 300-303 are done in chapters with changing artists. So stand back for a long credit appreciation list. Credits for the whole arc are: Jason Aaron, Writer; Jared K. Fletcher, Designer; Jody Leheup and Sebastian Girner, Assistant Editors, Jeanine Schaefer, Editor; Nick Lowe, Group Editor; Axel Alonso, Editor in Chief; Joe Quesada, Chief Creative Officer; Alan Fine, Executive Producer. The issue specific credits starting with Issue 20: Renato Guedes, Pencils and Cover Art; Jose Wilson Magalhaes, Inks, and Matthew Wilson, Colors. Issue 300 credits: Adam Kubert & Paul Mounts, Art for Chapters 1, 4, & 7; Steve Sanders & Sotocolors, Art for Chapters 3 & 6; VC’s Cory Petit, Letterer; no cover art credit listed in credits due to cover variants the one I have is the Adam Kubert cover. Issue 301 credits: Billy Tan & Jason Keith, Art for Chapters 8, 11, & 12; Steve Sanders & Sotocolor, Art for Chapters 9 & 10; VC’s Cory Petit, Letterer; Adam Kubert, Cover Art. Issue 302 credits: Billy Tan & Jason Keith, Art for Chapters 13, 15, & 16; Steve Sanders & Sotocolors, Art for Chapters 14 & 16; VC’s Cory Petit, Letterer; Arthur Adams, Cover Art. Issue 303 credits are: Billy Tan, Steven Sanders & Paco Diaz, Art; Mat Milla, Sotocolors, Jim Charalampidis and Rachelle Roasenbert, Color; VC’s Chris Eliopoulos, Letters, Brandon Peterson, Cover.

All images are the property of their owners I reproduce them here under the Fair Use Doctrine of the copyright law for commentary and critique. No more than three pages total from any one issue is reproduced.

WHEW! It took more than one village to make a comic this time! Apparently many wanted to help celebrate hitting the 300th issue since the start of Volume 2. Oh his whole solo title run it’d be the 304th issue. So let’s not get picky, let’s not go into who counts who’s volumes and issues. Still why go back to Volume 2? I dunno once again it’s left to the Secret Star Chamber of Marvel to know what the heck they were thinking.

Now for the cover art of the arc – to me the best is issue 301. I like the composition of it. I like that he’s in his Samauri mode, appropriate for an arc set in Japan. I think the colors are lovely. Over all it hits all the right notes with me. Thought cover 20 was close I don’t like the orangeish skin tones, could be bad printing and I’d love the original. The worst is issue 303. OMG! Those glowy outlines are back! (pounds head on desk takes comfort they aren’t in piss yellow). Ohhh and shiny shiny outfits that fit like a glove, ICK. The back ground looks off too, like a mix of photo and art – photo shop of horrors again? Finally cover that has the worst dental work – Issue 302 saw the need for some underbite action. Cover 300 which does nothing for me at all can at least bear teeth without an underbite.

The interior art is all over the board with so many contributors. Issue 20 is wonderful and I love the interior there. The rest vary from great to bad but luckily no awful stuff. After the jump I’ll chat about specifics.

The story made me lose heart for my hero. First off Sabertooth is no longer dead with his soul decapitated in hell. How long did that last? eh undid the soul part in just a hand full of issues. I’ve had decades of *singsongs* Sabes and Wolvie sitting in a tree f-i-g-h-t-i-n-g. I’m so over it. I liked it being settled and moving on. Can’t be though because I think Marvel fears letting a story line grow but instead cling to the tried and true plots until even the characters in the book mock them. I was pissed off to take three steps back to this tired overly done story again.

Speaking of that didn’t last long, Mystique’s death was even shorter. But we knew this was coming as the ‘magic’ Hand bought her corpse and dang they bring people back from the dead as often as they go get groceries. Dammit another tired worn out thing done again – just wait there will be a bit that includes a chase where James kills her in the end. This pissed me off too. When can we stop doing the same damn thing?

Seraph is still alive too. Guess it doesn’t matter we saw her bones in her coffin over in Wolverine Origins only part of that story became cannon – Daken. So mark this down as another back from the dead. It never stops!

Why do I feel I’m trapped in Groundhog Day? Where’s Bill Murray? Do I have to fall in love with Andi McDowell to get out of these over done plots? WHAT WHAT DO I HAVE TO DO MARVEL? Don’t know how to do it maybe take a gander at Fables they do it with style, grace, and character growth but keep a stable core of beloved characters. You could learn something there Marvel.

The core of the story I didn’t care about. It’s a crime family war in Japan. Except here some of the crime families have magic that bring back the dead and there are unlimited numbers of them. James teams up with his adopted daughter Amiko’s foster mom Yuriko to try to stop the war. Amiko’s boyfriend is the Silver Samurai’s son and moves in to claim his father’s position but winds up allying himself with the newly returned Sabes and Mystique. This leads to a fight between them and a break-up.

James and Yuriko eliminate the Hand in Japan. (how much you wanna bet this isn’t the end of them either?) We learn she’s alive after Hellverine’s attack but wheelchair bound. Doesn’t keep this ninja woman down or stop her from trying to get James’s pants down. Which leads to something that may destroy James and Mariko’s relationship. Which is yet another thing I find disappointing about the arc. The only thing cheery in it is Amiko, Yuriko, and James become a happy crime fighting family.

Overall I found this a very disappointing arc. Many of the things that enticed me to start buying Wolverine comics regularly again have been undone. I feel this is a disservice to long time fans. We love our characters we want to see them develop, we don’t want to keep doing the same things over and over again but this time only in San Francisco without flashbacks. I know I’m banging my head on the wall hoping for this type of deeply mature change but hope springs eternal.

Next is a stand alone issue entitled One More Round. There’s more spoilery bits and comments after the jump, join me won’t you. If not – Until next time.

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August 5, 2012