Tag: Marvel

  • Comic Comments – Back On The WXM Rollercoaster

    Comic Comments – Back On The WXM Rollercoaster

    WXM 17 Cov

    If you are keeping track you know I didn’t like the last issue of Wolverine and the X-Men because it was like the Holy Roman Empire (which was neither holy nor Roman nor an Empire).  However I loved the issue before that.  Well we are back up again.  I thoroughly enjoyed this issue.  Though it seems just dropped in the middle of things.  It’s not got an AvX Interruptus connection like the last few issues or the one that follows.  I think they just had a finished issue and stuck it in here for some reason only the Marvel Star Chamber comprehends.  However, thank goodness they did.  I needed it- a silliness break.  This issue is why Doop is the receptionist at the school when very few understand what he says.

    Credit where credit is due – Jason Aaron, Writer – Michale Allred, Artist – Laura Allred, Colorist – VC’s Clayton Cowles, Letterer – Michael & Laura Allred, Cover Artists – Jordan D. White, Assistant Editor – Daniel Ketchum, Associate Editor – Nick Lowe, Editor – Axel Alonso, Editor in Chief – Joe Quesada, Chief Creative Officer –  Dan Buckley, Publisher – Alan Fine, Executive Producer.

    All images are the property of their owners I reproduce them here under the Fair Use Doctrine of the copyright law for commentary and critique. No more than three pages total from any one issue is reproduced.

    Okay this stand alone issue is just fun. The summary of story to this point says it all for how to take this issue “Lots of things happened, but don’t worry your pretty little head about it. ENJOY!” Yep that sums up the who why Doop is on the staff of JGS.

    Despite Logan saying in the  Just Another Day in Westchester that he didn’t want any secrets from his staff.  Well, he’s got one – why he hired Doop.  They are asked to just trust him on it.  As Doop doesn’t seem to do any thing – get in their way or cause trouble – the staff accepts this.  We see the real reason and just the lengths Logan had to go to to get the little green guy behind the reception desk.

    Just so you know, I still hold fast to my rule no aliens in my X-Men.  I stick my fingers in my ears and go la-la-la-la-la then Doop becomes just another mutant.  True he’s an odd mutant that speaks his own Doop language that few understand. BUT in my book just like Warbird and Kid Gladiator – he’s another mutant. We see Doop is a man about town and does get around the Marvel Universe more than any one else.  Then again it’s kinda what he was hired to do… sorta.

    The story is light, it’s fun, and it makes me laugh.  That’s good on occasion given the heavy results of AvX that will be hitting the school.  It is school centric and involves staff of the school.  So I’ve got all I need when it comes to story.

    The art is fun and fits the issue.  It’s cartoony but that suits the silliness of the issue.  I don’t know why Logan’s hair is purple black instead of the traditional blue-black but I consider it’s one of Doop’s employment conditions and move on.  Over all I found enjoyable and supporting the story at hand.  Which is what comic art is supposed to do!

    *** More Scans this time That Could Be Spoilery***YOU ARE WARNED********

    WXM 17 Not leaving

    When Logan goes to hire Doop, Doop refuses to take the job. Logan swears he’s not leaving until Doop agrees. This leads to funny pages where Doop is trying to get Logan to leave by sitting up silly job conditions. This page is the start of that.

    WXM 17 sit com table sitting

    Just two questions come to mind from this scene – first off what are my dear Bamfs doing? Second why did the whole senior staff sit on the same side of the table. Did they think they were having dinner while being in a sit-com?

    Wolverine smells Howard the Duck on Doop

    Sometimes you just don’t want to know Logan, really you don’t.

    sitting in a tree k-i-s-s-i-n-g...

    Okay I’m not sure which couple is stranger – Husk and Toad or Doop and Warbird – Xavier warned Logan before the school officially opened about fraternizing among the staff. Also just who do you think Logan was with in the old Danger Room? hmmm? been referenced in several issues that he was with an X-Woman in the danger room… bet it was Ororo.

    Until next peeps.

  • Comic Comments – An Issue I Don’t Care About

    Comic Comments – An Issue I Don’t Care About

    Wolverine and the X-Men Issue 16 Cover

    From loving last issue to hating this one.  For all the reasons I praised the last I’ll criticize this one.  It has nothing, nothing at all to do with the Jean Greay School for Higher Learning.  It’s all about the stupid concept of 11 years olds being the HellFire Club.  Nope don’t like it at all don’t care about how they came to be, don’t even want to acknowledge they exist if I can help it.  Then to top off the totally irrelevant story line is the very style of art I don’t like.  I think you get the gist of how this is going to go after the legal stuff and credits are out of the way.

    Next we need to get the legal statement out of the way – All images are the property of their owners I reproduce them here under the Fair Use Doctrine of the copyright law for commentary and critique. No more than three pages total from any one issue is reproduced.

    The credits are as follows. Jason Aaron, Writer – Chris Bachalo, Penciler and Colorist – Tim Townsend, Jaime Mendoza & Al Vey, Inkers – Chris Eliopoulos, Letterer, Chris Bachalo & Tim Townsend, Cover – Jordan D. White, Assistant Editor – Daniel Ketchum, Associate Editor – Nick Lowe, Editor – Axel Alonso, Editor in Chief – Joe Quesada, Chief Creative Officer – Dan Buckely, Publisher – Alan Fine, Executive Producer.

    Okay you get that my first issue with this The Fires of hell A-Glowing story is it has NOTHING to do with the reason for the title – the school.  That’s pretty simple really.

    Next I have issues with a Hell-Fire Club that is made up of children no matter how precocious they are in killing or anything else.  First off the real Hell-Fire Club isn’t for children at all.  It did lead to the Phoenix Society all tied into the inspiration for the original use of these names in the Marvel story that spawned all the knock-offs and repeats we have gotten over the years in the Marvel titles.  The Hell-Fire Club NYC was NSFW (not safe for work) and into BSDM.  That’s why in the Marvel comics back in the day you saw the women in corsets with whips.  So 11 year olds taking ove the club – don’t buy it for a second.

    Next I don’t really care about any of these characters, where they are or what they have been through.  I don’t care about how they got to be the club or how Kade became the leader.  If they enroll in JGS as real student I’ll be somewhat interested.  Until that day go away kids you annoy me.

    As of the art, I do not like Bachalo’s style at all.  However either I’m developing a tolerance factor of he’s toning down his extremes.  He still likes pointy feet as much as Liefield likes tiny feet and pouches on belts.  Bachalo has a tendancy to make the angle from the ground or low looking up.  I don’t know if he’s Danny Devito short or what.  As a photographer I know this is an unflattering angle to anyone.  It broadens the facial features and stress the chin which isn’t a favorable facial feature.  Might explain Bacchalo’s penchant for extreme chins and mouths though.  I just don’t like it.  I guess that’s why I’m relieved when any other artist takes an issue in the title.  Except Liefield please no not Liefield…  he might be a great guy (as Bachalo might be) but neither is to my taste in comic book art.

    So I went from cudos to why did they waste an issue on that?!?  Wonder what the next issue will bring.  Well best to go up from the bottoming out don’t you think?

    ***SPOILER INTERIOR SCAN***WARNING***POSSIBLE SPOILERS FOR THOSE WHO CARE*****************************************************************

    WXM 16 kill them Scott PLEASE

    No he didn’t sent him to Logan’s school. You know if Scott had killed this stupid kiddie Hellfire Club it’s almost made AvX Interruptus worth it for me. Just to get rid of this annoying group.

    Like I said I didn’t like it. Said that in enough ways to put the issue in the file box and never read it again. Time to move on, Until next time…

  • Comic Comments – This Why I Go To JGS

    Comic Comments – This Why I Go To JGS

    Wolverine and the X-Men Issue 15 Cover

    THIS is why I read this title! I know, I know it’s a tie-in to the AvX Interruptus that I hate so but it is completely school centered.  The story is set in the school, centered on staff and students, develops a larger story and is what I want when I pick up this comic.  It is a stand alone issue entitle “On The Eve Of Battle”.

    First cudos to the team on this issue: Jason Aaron, Writer – Jorge Molina Penciler, Norman Lee, Inker – Morry Hollowell, Colorist – Chirs Eliopoulos, Letterer – Stuart Immonen & Marte Gracia, Cover Artists – Jordan D. White, Assistant Editor – Daniel Ketchum, Associate Editor – Nick Lowe, Editor – Axel Alonso, Editor In Chief – Joe Quesada, Chief Creative Officer – Dan Buckley, Publisher – Alan Fine, Executive Producer.

    Next we need to get the legal statement out of the way – All images are the property of their owners I reproduce them here under the Fair Use Doctrine of the copyright law for commentary and critique. No more than three pages total from any one issue is reproduced.

    As I said I’m very happy with this issue. It’s school centric which was the whole purpose of this line of comics to tell the story of Logan’s founding the Jean Grey School for High Learning. Here the X-Men that aren’t Pheonix possessed or backing those that are, have gathered at the school. Xavier is there. We deal with staff and student issues. New students from Utopia have enrolled and Headmaster Logan is as to the point as ever announcing over the PA “Attention students this is your headmaster reminding you welcome our new arrivals OR ELSE!” Gotta love ‘im he’s so not cut out to do what he’s doing but he’s trying.

    The art is good. It’s not my favorite but given how much I disliked the first art of this series this art is more than serviceable. It’s good strong art that is not overly stylized and supports the story well. I totally enjoyed it and was thankful for it. However it wouldn’t rank in my top five, should I be pressed to do such.

    In the end I put down the issue happy to be back to the core of the title. I enjoyed the whole thing from cover to cover. I like how Logan welcomed back the staff that had disagreed with him at the start of AvX but now sees it his way. I get the touching moment with Hank and felt it too. I worry about some of the hints dropped by students – who is Idie seeing at this church? How Quire deal with the Stepford Cuckoos given his feelings and resurrection of their sister? Warbird what will her new role be? Good plot lines to be developed over time if they don’t get lost (shhh we shall never bring up frozen wolverpups again that should be lost along with the stupid lupine/Romulus crap) in service of the huge ‘event’ multi-title marketing arcs.

    So hang on to your hats an issue I thought lived up to the promise of the title but trust me it doesn’t last long. But let’s bathe in the joy of the moment shall we?

    ****Scans that are possible SPOILERS*** WARNING WARNING WILL ROBINSON  DANGER OF SPOILERS*****

    WXM 15 Broo and Tony BFFs

    The great scientific minds (minus Bruce Banner) were puzzling over the Phoenix problem but Broo the JGS student saw the answer to their equation. I have to say I love how Tony befriends little lost Broo. Oh wait didn’t Tony want to register all mutants and declare them… oh let’s let Civil War by-gones be by-gones and enjoy the cute. Still if it were mutant me I’d hold a grudge against him.

    There are so many things I loved in these few panels. First Logan’s announcement his gruff exterior with a heart of gold to run the school was showing in just that little bit. Next Quire and Stepfords LONG story there but to see him with them again in a school oh… you know that’s going to cook up trouble. Finally in the last panel there – my beloved bamfs. Not just because they are like naked little Kurts running around (I mean I adored Kurt as Logan’s BFF) but also how they seem to like and protect Kitty. I love how she’s petting one here and the look on that one’s face. So cute.

    Tell me when you disagree with me but let's not nitpick okay

    I think I liked this page best. Except that Bobby is iced up again. I am starting to feel sorry for Toad who must have to follow Professor Drake about and mop up the water puddles. Serious Bobby why?

    Any way I like how Logan handles Bobby’s return. I want people who aren’t yes men. Logan knows he’s taken on something that goes against his grain, that isn’t his natural talent. Doesn’t mean he can’t do it just means he’s working at it and needs people who aren’t afraid to tell him like it is. Yeah there at the end Bobby’s totally right. Logan knows it but can’t change everything in the first year of being headmaster RIGHT?

    Until next time folks!

  • Comic Comments – We All Make Mistakes

    Comic Comments – We All Make Mistakes

    First X-Men Issue 1 Cover

    I got The First X-Men on a whim and regretted it. It’s not the story so much, that’s good. It’s not the art that’s great. It’s me. This is one of those comics that is the reason I don’t rate them. As comics go this one brings what comics should bring, story and art working well together. It’s just not for me. Stay tuned and I’ll tell you why.

    The required legal statement – All images are the property of their owners I reproduce them here under the Fair Use Doctrine of the copyright law for commentary and critique. No more than three pages total from any one issue is reproduced.

    Credit where credit is due: Neal Adams & Christos Gage, Writers – Neal Adams, Artist (issue 1) & Penciler (issue 2) – Andrew Currie, Inker (issue 2) – Mathew Wilson, Colorist – VC’s Clayton Cowles, Letterer – Adams & Wilson, Covers – Jordan D. White, Assistant Editor – Nick Lowe, Editor – Axel Alonoso, Editor In Chief, – Joe Quesada, Chief Creative Officer – Dan Buckley, Publisher – Alan Fine, Executive Producer.

    First XMen Issue 02 Cover

    I’ve been through the start of the X-Men so many times.  I did the original.  I did the Ultimates.  I did the XMen movies (2 starts).  I don’t need another. I got it.  Really I do.  It’s kind of like Xavier deaths.  Been there got a T-Shirt the first few times now I’m bored with it. That’s why I stopped after two issues. I don’t need yet another take on the retelling of the X-Men getting together. I’m old for a comic reader – near 50. I’m not male. I’m not the typical audience comics are written toward. I get that. I’m not the audience for this one.

    By now you get this is a new take on how the X-Men get started. Apparently here the major influence in starting it all is Wolverine. He’s not the odd amnesiac that shows up later trying to do the right while figure himself out. He’s doing what the mainstream character took decades to mature into – uniting mutants to live together in peace with non-mutants and protect one and all. Here in this story Xavier is the one dragging his heels on the idea.

    Like I said the writing is good. It’s a different take on the start for a different generation. I have no beef with that. The Ultimates was the same thing but I think I enjoyed that because Aaron was young and it was introducing his generation to the concept. I went through the introduction with his eyes. Now he’s a young man. I don’t have a kid to go through the new tale with and this almost 50 reader doesn’t want to start again unless the start is face meltingly awesome. This isn’t. It’s good. If I had endless comic book fund I’d stay on but I don’t so this gave way and dropped from my pull list.

    As for the art, I like it. It’s great comic book art. I enjoyed it. It has elements of classic comics and new elements to it. I can’t put my finger on just what it is because I’m not an artist to get the details of style phrased just right. Still I enjoyed it and would like to see more of this work in mainstream titles.

    Bottom line: If you are up to starting a new X-men universe or have never experienced another retelling of it – then by all means jump on and enjoy!

    You know what’s next a few pages to give you a feel for the books. If you don’t want possible spoilers then don’t look Myrtle!
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  • Comic Comments – Everyone DIES!

    Comic Comments – Everyone DIES!

    When the title says Deadpool Kills The Marvel Universe it ain’t kidding.  When Marvel says PARENTAL ADVISORY NOT FOR KIDS they aren’t kidding either.  Our comic relief Deadpool takes on a darker new persona that’s more  not the quipping funny guy with battle skills any more.  His inner dialogue is more philosophical than campy.  This is not the usual Deadpool but this isn’t part of the normal Marvel universe where AVX interruptus is going on any way.

    First let’s give the crazy guys who created this nightmare credit.  Cullen Bunn, Writer – Dalibor Talajic’, Artist – Lee Loughridge, Colorist, VC’s Joe Sabino, Letterer – Kaare Andrews, Cover Artist – Jordan D. White, Editor – Nick Lowe, Senior Editor – Axel Alonso, Editor in Chief – Joe Quesada, Chief Creative Officer – Dan Buckley, Publisher – Alan Fine, Executive Producer.

    Next the required legal statement – All images are the property of their owners I reproduce them here under the Fair Use Doctrine of the copyright law for commentary and critique. No more than three pages total from any one issue is reproduced.

    I have to say I went into this not knowing what to expect and came out oddly conflicted but liking it.

    What I don’t like about it is what makes it the have the parental advisory – the gore.  Comic books often show fighting, often show deaths of heroes and villains (most of the time death doesn’t last) but generally it’s not gory it’s more like the old Westerns where the violence was cleaned up.  Someone gets shot they just fly against the bar and slump kind of thing.  Here it’s not that clean – though why it isn’t I don’t know.  It could have been.  I can only guess it isn’t because it doesn’t have to be being a stand-alone short.

    I have to tread lightly here about what I like about it so I don’t spoiler it too much.  I like DP’s motivation and the whole concept of why he’s doing it.  It’s developed and unveiled well over the four issues.  Though I have to say I got it before it became hammer proportions as it is in the final issue.  The reason suits Deadpool in the end.

    Once I let go of my dislike of the graphic nature of it I did find amusement in how DP went about killing off both heroes and villains alike.  He makes endings that oddly suit the victims.  His prattle contains the clues to his motivation.

    As for the art – leaving the goriness aside – it’s awesome.  I like it very much for me Talajic hits a home run on it.  It actually reminds me of the Walking Dead art which I like very much.  Only this is colorized. A good grounded in reality comic book artist is what this story needed being so graphic and dark.  It is exactly what it got.

    Now for the final test – would I recommend it? Not everyone no by a LONG shot.  I think this only appeals to hardcore Marvel fans.  You’ve got to know the victims to get a lot of the story.  You have to know Deadpool to understand the irony of him.  Given that I’m still not sure I’d say buy it – maybe borrow it or check it out of the adult section of the library (ours has an adult graphic novel section bet yours does too).  IF you are a Deadpool fan as I am a Wolverine fan – then yes I’d say you need this.  Otherwise – take it or leave it.

    *** NOTICE FROM ON SPOILER SCANS***  I did choose scans that were NOT  graphic or gory.  Being me I looked for more story and character related moments.

    I would just like it noted that my Wolverine said it wasn’t a good idea to do what started it all. Just please take note he’s the only one! He knew this wasn’t a good idea and boy it wasn’t.

    For those who don’t know this is an Observer – Marvel has had them as narrators on and off for years. I hate them. I don’t know why but I don’t like an omnipresent narrator. It’s lazy writing. It’s telling not showing. So I did enjoy the fact that DP got one as one of his first victims!

    Okay maybe this is graphic – Howard The Duck with his goose cooked. I’m sorry I thought it was funny. Does that mean I’m perverse? Nah just have a good sense of humor.

    Here’s where the hints of his motive is becoming hammer. Really Chuck you shouldn’t have put DP in an institution.

    In the final books DP spells out his motivation.  Makes you think about all we put our favorite characters through just for our own entertainment.  I have to say I do enjoy it as a reader and thinking up such things as a writer.

    Until next time!

  • Comic Comments – Deadpool Can Die

    Comic Comments – Deadpool Can Die

    Deadpool in a tutu  title Deadpool vs Black Swan

    When we left Deadpool he was ‘cured’ of his healing factor and handsome again. Now he’s honing his skills as he got soft healing from injuries. BUT now that he is killable his enemies would like to oblige. Thus starts this three issue arc entitled Blacklisted.

    First the legal stuff: All images are the property of their owners I reproduce them here under the Fair Use Doctrine of the copyright law for commentary and critique. No more than three pages total from any one issue is reproduced.

    Black Tom Cassidy whacks Deadpool back toward the reader with a SO-WACK!

    Next credit where credit is due: Daniel Way, Writer – Salva Espin, Artist – Dommo Sanchez Aymara, Colorist Issues 58 & 59, Guru eFX, Colorist Issue 60 – VC’S Joe Sabino, Letterer – Dave Johnson, Covers – Jordan D. White, Editor – Nick Lowe, Senior Editor – Axel Alonso, Editor In Chief – Joe Quesada, Chief Creative Officer – Dan Buckley, Publisher – Alan Fine, Executive Producer.

    This story has all of Deadpool’s enemies who have Black in their name going after him.  Black Box a villain that can control electronics uses social media to notify the villain world that our beloved Merc with a Mouth can die. The hi-jinx ensue from that.

    This was what I look for in a Deadpool comic – comic relief poking fun at the superhero/supervillain genre while loving it too.  Deadpool is crazy and clueless but talented fighter.  His villains are bumbling and would be dangerous if only they could get it together.  Inter cut with all of this is the constant inner dialogue of Deadpool himself the sane and the insane.  Then add his 1980s action movie quips based on current pop culture and you have a fun read.

    Deadpool looks at a tweet on his iPhone from Black Box stating that Deadpool is now killable.

    No when I come to a Deadpool comic I don’t want to see character growth.  I don’t want a tight story.  I don’t want top shelf art.  I want DP to be himself, just like Roadrunner is always himself.  I want a romp of a story that’s amusing, fun, and has action.  I want art that’s a bit cartoony or comical at times.  I have to say this arc gave me all of that. I walked away from the story contented.  I got exactly what I came for and it was fun!

    **Warning** Warning**Scrolling further MAY result in spoilers as I chat about some particular pages from issues **WARNING**WARNING

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  • Comic Comments – Reborn

    Comic Comments – Reborn

    Deadpool Issue 55

    We join Deadpool in issues 55 -57.  The arc is Reborn and Deadpool is.  He’s gotten his wish for Death in a way – he can now die which makes life sweeter.  However being Deadpool he’s not thought about what the other consequence would be.  Some are great others not so great, he sets out to fix one of the not so great ones.

    Now for the legalise and credit. All images are the property of their owners I reproduce them here under the Fair Use Doctrine of the copyright law for commentary and critique. No more than three pages total from any one issue is reproduced. The credit for this arc is as follows: Daniel Way, Writer; Shawn Crystal, Artist; John Rauch, Colors; VC’s Joe Sabino, Letterer; Dave Johnson, Cover; Jordan D. White, Editor; Nick Lowe, Senior Editor; Axel Alonso, Editor In Chief; Joe Quesada, Chief Creative Officer; Dan Buckley, Publisher; and Alan Fine, Executive Producer.

    One of the good things that resulted from Deadpool losing his regeneration ability. He’s got his rugged good looks back! He’s pleased with that. He’s just not comfortable without his face covered after having it covered for years. Understandable and tragic in any one else but in this case it’s funny, being DP and all.

    Deadpool Issue 56

    One of the downsides is he can now be killed. Even worse he’s lost his edge in fighting because he could always rely on regeneration to fix any damage. Now it’s not true and a simple low class supervillain wanna be can kick his ass. His answer is to go get more training to hone his skills. That leads to an attempted heist of Pym Particles from SHIELD. Except things don’t go as planned, Deadpool is set up but the tables turn and he winds up saving the one who set him up and the wanna be supervillain that attacked him. I love it when Deadpool’s plans come together.

    The other downside is that word has gotten out to DPs various enemies that he can now be killed. So once our insane hero had again honed his fighting edge to go save Bob in the three days Wolverine gave him. Except now he has people gunning for him that just might take up his time.

    The story is fun and DP is as crazy as ever. He’s good in that he couldn’t let someone who double crossed him die nor could he let a guy that brings a glue gun to a real gun fight get killed. That’s the endearing part of DP. The amusing part is his prattle. That’s classic here from his trying to remember how to shave to wondering why the Trickster wants to work with him. Great DP story – not too heavy but amusing all the way through. This is a great read for the laughs. DP bumbles through like the Mr. Magoo of superheroes. Not only does he save the two but he also foils the robbery. Well worth reading, I’m surprised at the end he didn’t say “I love it when a plan comes together.” LOL!

    Deadpool Issue 57

    The art is strong for me. It’s got a slight cartoonish edge but that works well for DP given his take on the world. The covers are pretty. Issue 56 has a 1960s feel to me kinda invoking Fury Max covers but with a comical DP twist. I like that. Issue 55 cover has women in the back ground and while I don’t disagree with the concept women would find the newly restored DP handsome it’s not really addressed in the book. His restored looks are addressed but women’s response isn’t. Again a pet peeve of mine, I’d been happier with just him making love hearts to his own reflection. Still it’s a pretty cover.

    That concludes our visit with Deadpool for now. We’ll leave him with Dresden Files and Fables to finish their arcs before I write a Comic Comment on them. Up next will be the first arc of Vertigo‘s Fairest entitled Wide Awake.

    On to the panels and pages comments…

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  • Comic Comments – Dead

    Comic Comments – Dead

    Deadpool 50

    Ahh back to routine. We are now to another Marvel title – Deadpool. This 5 book arc is entitled Dead and takes issues 50 – 54. I like him because of his constant stream of conscious prattle. I enjoy it when it’s more pop culture centered. Still this story fits him to a T and I enjoyed it. The art was great and life is good in the Deadpool universe. Except he wants to die.

    Let’ s do credits and legal statement.  First off all images are the property of their owners I reproduce them here under the Fair Use Doctrine of the copyright law for commentary and critique. No more than three pages total from any one issue is reproduced. Now the legal is out of the off to give credit for the Merc with a Mouth Dead arc: Daniel Way, Writer; Carlo Barberi, Penciler Issue 50; Ale Garza, Penciller Issues 51-54; Walden Wong, Inker Issue 50; Sean Parsons, Inker Issues 51-54; Dommo, Colorist Issue 50; Dommo Sanchez Amara, Colorist Issues 51-54 (not sure if the same person since credit is listed differently); VC’s Joe Sabino, Letterer; Dave Johnson, Covers; Jordan D. White, Editor; Nick Lowe, Senior Editor; Axel Alonso, Editor in Chief; Joe Quesada, Chief Creative Officer; Dan Buckley, Publisher; and Alan Find, Executive Producer.

    Deadpool Issue 51

    The covers for this arc are awesome.  I do enjoy them and like how the hold true to the spirit of the content and reflect Deadpool’s style.  The interior art is done by two artist and is very similar in style.  I can’t say I prefer one over the other.  There are things with each that I love and stuff I don’t care for but nothing I despise.  The style leans a bit toward cartoonish at times but that suits Deadpool given his almost Road Runner like behavior at times.  I think both the covers and interiors are solid comic book art that I enjoyed very much.

    Deadpool Issue 52

    The story is one that builds on Evil Deadpool from the previous arc. For those of you who don’t know Deadpool has a regeneration ability so that makes him unkillable kinda like Logan in that fact.  Except a mad scientist kept parts Deadpool had lost frozen and those were thawed out to grow together to make an EVIL Deadpool.  Which in theory would also be unkillable.  Except in the battle against Evil DP, someone shot him with a serum dart that killed him.  Now the real Deadpool thought that was great!  He can finally die!   He wants the serum.  Thus starts this arc where he’s trying to die.

    Other mutants who have the regeneration/healing abilities aren’t so keen on the serum and want to control it. Deadpool being his crazy self drags his buddy Hydra Bob into the mess he creates trying to find the serum.  DP goes to Fisk, the leader of a world-wide crime syndicate, and tells him about it.  Fisk says he’s not interested then goes looking for himself.  Which is also the response of Daken.  Except Daken wants it to mess with his father Logan.  Finally DP goes to the Uncanny X-Force who agree to work with him to find the threat.

    Deadpool Issue 53

    What follows is a series of ever more complicated follies of trying to find the serum.  Think A-Team when the plan comes together, well DP’s plan of dying is coming together. In the end, the serum isn’t exactly what they thought it was and DP decides he REALLY doesn’t want to die any way.  He comes to that conclusion once Bob points out once DP is dead there won’t be anyone to protect Bob, DP’s BFF.  Only problem is it’s a bit too late when DP changes his mind because everyone is out to kill him for stirring up more than needs to be stirred up.

    Deadpool is classic Deadpool. His internal dialogue is sharp and witty.  Everyone’s reaction to him adds a bit of humor to the classic superhero/supervillain match-up.  I find it funny that we get what’s going on in his head because we have the stream of consciousness narration boxes in both his internal voices.  Psylocke on the other hand is at a loss to make sense of his mind.  In the end it is Logan who gets the guy, he knows what it’s like to stick around to save a friend, even when you are tired of sticking around.

    Deadpool Issue 54

    I think this starts a new era for Deadpool.  For once I’m hoping not too much changes.  Sure there are some changes, some that are major but essentially I want him to remain the wacky not quite right reluctant hero.  The one that annoys the heck out of everyone even Capt. America.  We’ll see what’s up next for the Merc with a mouth, Wade Wilson aka Deadpool.

    Up next is another Deadpool arc. This one takes issues 55-57 and is called Reborn. After that we’ll be leaving Deadpool to finish his current arc. That’ll take us out of Marvel for a while. We’ll pass over Dynamite’s Dresden Files and Vertigo’s Fables for the same reason – let them finish their arcs. We’ll settled into Fairest‘s first arc taking issues 1-6, it’s entitled Wide Awake. I think you’ll enjoy that one!

    You know what’s after the jump! Panels and Pages Commentary!

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